IN CONVERSATION WITH TOURIST ATH

The Athenian DJ visits REY Magazine and shares with us some of his favourite moments.

Tourist ATH is influenced by elements of nature and his travels around the world and he loves to combine the electronic music with all the above.

He has shared the decks with the most renowned artists of the electronic music scene like AME, Black Coffee, Stephan Bodzin, Fideles, BLOND:ISH, Echonomist, Agents Of Time, DJ Tennis, Brina Knauss and more.

Tell us a bit more about you. Where are you from originally? What are your hobbies and your interests?

I was born and raised in a village of about 150 inhabitants in the northwest of Greece. I always loved music, so after I turned 18, I decided to follow my dreams and be involved with it in every way possible. My goal was to be able to turn my hobby into a profession so that I could not only enjoy myself but also make others happy too.

As of my hobbies, I love waking up early in the morning, go to the gym and then following hours in the studio.

 When was the first time you remember yourself being influenced by music?

That was definitely back in the nineties, when my father bought me my first cds. I remember listening to them at home at his high quality sound system, as he was a music lover too. That was something which has had a clear influence on me.

 What inspires you most when it comes to music?

I would say Travelling, which is something I am very fond of.

Who is your favourite music artist?

One of my favourite artists is Dixon. 

Your song ‘Keep On’ feat. Coco was quite a success back in 2021. Are we going to see new music from you soon?

 This is something I have been working on very hard lately. So yes, we will release new tracks this summer!

Where has the name Tourist Ath came from? Tell us more about it.

If I could describe myself in one word that would definitely be "tourist"

Single and ready to mingle?

 Free :)

As we already know you are based in Athens. Where can we see you playing at during the season?

I have a residency at Zelus Athens, where I play 2 Saturdays per month and it really feels like home to me. 

And what’s next?

I have achieved a lot so far but I never stop dreaming, as I believe that progress and self-development end when our dreams die.

DISCOVER THE FULL EDITORIAL STORY HERE

Photographed by DRE

Styling & Interview by Christos Christou

Hair Angelo @ The Labartory

Grooming Ellada Moustaka

Special thanks to artist Dinga Christian for allowing us using his Art Studio for the Fashion Editorial.

EDWARD STERGIOU x REY

We have first met him at Greece’s Next Top Model and we have been fans since day one!

He was so kind, focus on his mission and definitely one of the most handsome male models of the fashion TV show. He made it to the TOP 10 and he proved he can do much more outside the house of GNTM.

Edward Stergiou is one of the most popular male models in Greece today and he is officially the male ambassador of YSL Beauty in Greece.

When did you start modelling?

Everything started when I decided to put an end to my evolving football career and turn into something that was very intriguing and suspenseful for me at the time. I was 19 when I started thinking about the possibility of a new career in this exciting industry and all of a sudden I started to put all my efforts on that sector.

People loved you during Greece’s Next Top Model. You became one of their favourites, and us too. How was it after you left the fashion reality show though?

TV has the power to make success something that has being counted on followers or how much money you are making. Nevertheless, the love of the people is one the greatest gifts it can offer to you. What matters the most though, is how you will handle this popularity after the show and how picky you will manage to be since the job proposals will be defiantly too many.

Has the show helped you to develop more on your profile as a model?

The show helped me get a better connection with the Greek market which resulted in a great variety of jobs that followed. Greek fashion is quite limited and specific and I knew that before getting into the show, but I’m still grateful for the collaborations I have chosen to do so far.

Which moment from GNTM you will never forget..?

The show as a whole experience was a very special moment of my life, it is impossible to pick just one moment.

Are you going to watch Greece’s Next Top Model this season?

The hype around the show this year is very big, I would not want to miss it!

Now tell us a fashion moment you are proud of:

I’m really proud for what I have managed to accomplish in this industry big or small. From the Dolce & Gabbana show to some of great Instagram jobs I have done so far. I feel proud for the people I meet daily through this job. Getting rewarded for your hard work is life’s best present. ‘Hard or easy’, you always learn something.

Have you always wanted to be a model? Do you have any other male model as an inspiration?

From a very young age a had an interest in fashion. I was taking care of my self maybe more than other kids at that time. So I think it was always something inside me about being a model. I admire quite a few successful male models one of them is David Gandy.

Which job is your favourite so far?

YSL Beauty has chosen me to be theirs campaign ambassador for the 2022 cosmetics. The campaign and the message this campaign gave to the world are definitely what I love so far.

Any future plans you can share with us?

For sure there is always something cooking but allow me to reveal it when it’s done.

Are you in love this period?

I’m always in love with my job.

What is the song you are always listening to these days?

Back to black by Amy Winehouse :)

DISCOVER THE FULL EDITORIAL STORY HERE

Christos Katsavochristos x REY

Christos Katsavochristos from VN Models has been one of our favourites from day one,

The last three years, we have seen his career growing and him being the main face of big campaigns in Europe and the world.

REY: Finally we meet again!

Christos: Hello again! Thank you for having me Xx

When did you start modelling?

Well, it was about 7 years ago! At the beginning of my career I wasn’t really focused on that. It took me around a year to start seeing things more professionally!

Who was the first person to offer you job? 

The owner of an agency approached me in a pool party in Mykonos and proposed to me to be represented by him in the model industry. I took the chance of course and a year after I signed with a bigger agency.

Have you always wanted to be a model? 

It was on my mind cause some people used to tell me about it but I wasn’t  sure that I want to do it. I used to be like “it would be nice, but I don’t know” haha 

Do you have any male model as an idol or inspiration for modelling? 

David Gandy is one of my favourites! I don’t really have him as an idol or specific source of inspiration though. I admire him as I do with a lot of models as well but that’s it! I don’t try to be someone else, we are all unique.

Here at REY, we are Katsavochristos fans from day one! We have seen you growing in the industry and finally your face was all around Europe and the world with your latest D Squared campaign. Tell us more about your experience.

Well it still looks weird to me every time I look back to think about this journey. It was a super interesting experience with ups and downs but in the end I am winner just because I lived it! The Dsq2 campaign it is one of the biggest in my career I have to admit! Thanks to Dean & Christian Oita and their beautiful mood and energy the photoshoot turned into a fun day and that’s the most important part of it - the journey! And of course I’m so grateful for the great material (pics+videos) I got!

Which photo shooting is your favourite so far?

Oh there are so many that I can’t compare them. Actually, my favourite ones are the shootings that I got treated well, the team was kind and I didn’t get too much tired. But I can’t reveal more for the clients hehe.

Any future plans you can share with us? 

.Nowadays everything changes so fast in unexpected ways. Since we all have to live with Covid19 in our life I’m trying to make new plans that could stand the current situation. I am already in discussions for new projects but you’ll see more very soon ;)

Tell us something about you that we didn’t expect to hear.

I love singing! I sing all the time, in the shower, in the car, on my bicycle etc but I’m the worst singer all around the world!

Are you in love this period?

I’m not and I started worrying about that from the time you asked me hahaha

What is the song you are always listening to these days? 

Oh that’s easy, my favourite song the last 2 years is the “Iron Sky” by Paolo Nutini

Photographed in Athens by Dimitrios Kleanthous.

Art Direction & Styling Christos Christou

Grooming Christos Theophanous

Agency is VN Models

Our Conversation with Dimitris Theocharis about COVID-19, Changes in the Fashion Industry and more


The Greek American Fashion and Portrait photographer Dimitris Theocharis has seen his work in many leading publications including Vanity Fair, Harpers Bazaar, ELLE and Vogue. Currenlly based in South London, the innovative, award-winning photographer talks exclusively to our Editor in Chief about the life after quarantine, all the changes in fashion, and a lot more.

REY: Hello Dimitris and thank you for accepting our invitation. How are your days during quarantine? Has the lockdown changed a lot from your daily routine? 

Yes and no…my days are full, just as before, I have redirected my energy and focus on different aspects of my career and life. Apart from the obvious physical limitations of not going out, or taking on new projects, there are a plethora of ways to stay busy and be creative.

For example, I've started cooking again, so no more food deliveries and a good part of my day revolves around the food and the quality of the food I am going to make.  I am lucky to have set up a small gym at my place so I can continue with my fitness routine with the addition of mediation, tai chi and cycling.

I socialise with my friends and family regularly over FaceTime and have had few zoom parties..

The list goes on, we are fortunate to live in an age that we can still conduct our lives with a good level of “normality” during these difficult times.

Work wise, I am focusing on archiving and editing past material in the hope to create a retrospective book of some of my work.  I am still in the process of putting a magazine together….(need to find the time for this) as well as finding the time to kick start a couple of business ideas I’ve had for a while.

REY: Do you think that our ‘everyday life’ and routine will change after covid-19? Or actually are we going to change as people?

Whilst  this pandemic has been hyped as doomsday by the media, in reality it is one of many in a long history of pandemics (and by now it looks like we have managed to contain it to a certain level). 

I don’t think in the long run Covid-19 will change radically or notably the progress or the path of life as we know it. Until we have an effective treatment we will be living with uncertainty…. we will be facing the same issues as we do now, home schooling, working from home, closures, lockdowns, the economy shrinking and sadly loss of life. 

Nonetheless, I hope that this situation brings some positive changes to humanity as we unite to resolve this crisis and will give a push to science and technology to come up with solutions and methods of preventing or containing outbreaks similar to this one in a more effective, efficient and humane way. 

From investing more money in medical research, modernising the health care systems of each and every country, improving aviation conditions, restructuring public transportation and office spaces and even the way we run entire cities etc but again Rome was not built in a day… or even in a few millennia…. 

However I fear that we are not mature enough to see the bigger picture and we will end up focusing on all non vital things and once again waste our energy in trivial matters.

On an individual level, people tend to fall back into their habits however good or bad these are, so yes undoubtably life for some people has and will change, because they have been directly  affected by this virus, maybe some of us will think twice about handshakes or travelling, maybe some will continue to look after themselves as intensely as they have during this period, but as I said I doubt major changes will take place or will come abruptly or exclusively because of Covid-19. 

Covid-19 could be the catalyst, or fast-forward changes that had to happen.

REY: COVID-19 has affected the world's economy and the fashion industry is one of the sections which has been affected the most.  What, in your opinion, could help Fashion to bounce back to the level it was before? 

First we need to ask why? Why should fashion bounce back? What has fashion got left to offer? What is the role and significance of fashion in 2020 when we are facing a pandemic?

When we are facing a global crisis, people spend on essentials or on low risk secure investments. I don’t think anyone was worrying about stockpiling in Hermes scarves in the early days of this pandemic but instead they went for toilet paper. Retrospectively you can reuse a scarf… so maybe it wouldn’t have been a bad idea after all. (No disrespect to Hermes or to toilet paper).  

Jokes aside, the fashion industry needs to evolve, it’s been riding on aggressive marketing strategies for a few decades with little “real” innovation. In essence, it has been focusing and capitalising on style over substance.

This symbiotic relationship of creating a false need for a constant update of our style/clothing with the continued supply of new products/collections has contributed to hyper consumerism. This has resulted in constant revenue growth for the fashion industry with a 14% jump in 2019 making it  $2.2 trillion industry (including footwear and jewellery).

It’s an ingenious but highly flawed system.

Fashion is not essential, but clothing is, so when the times get tough non essentials take a secondary role.

REY: Does this mean that the 'fashion bubble' (which lasted for years) is about to burst? 

Burst no. Temporarily shrink? Yes, like many industries will. The fashion industry needs to go into survival mode and some sort of damage control strategy has to be implemented whilst we are facing this pandemic. 

From brands hibernating for a season or two, to investing on online-virtual/augmented reality shopping experiences, to diversifying product range, to utilising stock from previous seasons, to introducing rent and resale strategies, to reduction in prices - there are always ways to entice and cut corners but still make revenue.

Heritage luxury brands: whilst some may thrive (as in the case of Hermes after the 2008 economic crisis) will take a small hit as their product can be translated as a “low risk investment”. Items that are not defined by season, are made to last and hold their value are always a safe buy. 

High street fashion: will take a hit, but because they form the main staple of peoples apparel, their product can be considered as essentials and thus it will recover quickly.

Sadly, I believe  the ones that are going to be affected the most are the vulnerable brands, the ones that fall in the in-between category; new brands and startups, that haven’t yet established a loyal client base, cutting edge experimental brands and so on. However in some countries government funding is in place to help businesses through these difficult times. 

I believe this recession will be a short lived one, and fashion will continue its economic growth.  But to what end…?

Slowing down could be the way forwardwhen it comes to environmental issues.

REY: Yes, I have to admit that we have seen changes happening during the last years, especially with thesome big fashion houses. For example, Gucci is working on its collections every season in order to create a continuity between them. So let's say if you have bought a piece in 2016 you can definitely combine it with a piece from 2020's collection .  Other fashion houses have started presenting only two collections per year instead of four (cutting out the pre-collections).  

True, some houses are adapting to the new reality. 

Nonetheless this is a great opportunity for introspection and true innovation in both design and production chains. Covid 19, may be the necessary break that the fashion industry needs in order to refocus, re-envision, restructure and solve its bigger issues. 

Sustainability, ethically/ environmentally conscious production chains and transparency are the flaming issues of this industry. 

Creating tanseasonal, long lasting garments could be one of the solutions to the environmental issues we are facing. Certified and recycled fabrics are available and already few brands are finally adapting to this greener reality. 

REY: Yes, we have seen some changes and recycled materials coming into use. Prada for example, has presented new techniques for its Linea Rossa collection and the directors have presented the ReNylon collection using recycled nylon. The brand admits that it will use only recycled nylon material and it hopes to roll out this approach across the board in the next few years, a goal that would see all 700,000 meters of nylon used every year by the company go green. All the above and many more will be part of the Sustainability deal that Prada signed  and it will be complete in the next 5 years. (€50 million sustainability term loan with Crédit Agricole Group)

Nonetheless changing consumer’s attitude towards fashion is another issue. 

For decades fashion has pushed the “I’d rather die than be seen twice in the same outfit” mentality… and now we are facing the consequences of this propaganda. 

We consume fashion faster than ever before so we produce more fashion than ever before and vice versa. 

Blaming high street giants is not the answer, when the reality is that this mentality was created and is still maintained by the constant creation of new collections, trends and more invasive marketing strategies by the high end fashion corporations. 

Reshaping consumer mentality is a key part of this process. Becoming environmentally conscious about our buying choices can speed up the shift towards sustainability. 

It is the responsibility of the brands to communicate their ethos and transparency of their production chain to their customers, so the consumer can make informed choices.  

But where is the importance and vision in the fashion industry? Is it a mere rehashing of patterns or decorating fabrics? Why not create a Prada or a Primark garment that can protect you from environmental pollutants and viruses whilst it is polymorphic, doesn’t stain, it’s adaptable to temperature, it can change colour to fit your mood, has zero emission in its production and you can recycle or compost? 

New fabric research and new technologies should be at the forefront of the industry, we all know cotton is the most popular but one of the most thirsty in production fibbers, whilst water scarcity is a reality for two thirds of the world’s population. 

For an industry that claims to be trendsetting, cutting edge, progressive with liberal sensitivities, it still feels stuck in a self indulgent stage. These environmental issues have been known for decades…. finally some in the fashion industry are taking action.

REY: Would Covid-19 speed up this process?  

I hope so, but I doubt it.  After Covid-19 I think more invasive marketing strategies will be the main focus as brands will try to regain some of their losses, whilst funding research on new materials and technologies will move to the bottom of the investment agenda.

Thankfully as highlighted by the Fashion Industry Charter for Climate Action which was created in 2018, clear targets and timetables are set out for the industry to meet in the foreseeable future.

It is a difficult and complex conundrum, but it must be solved quickly.

I really don’t want to demonise or diminish the recent initiatives and progress on environmental issues by some in the fashion industry, its cultural contribution and importance for the global economy, or the creativity and the craftsmanship that often characterises fashion i.e the love and care that goes into the construction of a haute couture garment. It can be and it is art at its purest forms.

Nor do I want to diminish the industry’s applaudable response, humanitarian and fund raising efforts during this pandemic. 

These are the aspects of the Fashion Industry that need to be preserved, cherished, celebrated and respected.

Thank you for having me. 

REY EXCLUSIVE: Interview with the Fashion Editor Luca Falcioni

The new Men’s Fashion Editor of Schön! Magazine talks exclusively on REY.

The Italian stylist who managed to put his name in some of the most important fashion publications ( Wonderland, Vogue, L’Officiel and more), talks to REY about fashion and styling, his personal experience in fashion and many more.

After studying and working in Rome, Luca moved to London to work in fashion. For him everything started at Selfridges where he used to work. His passion for fashion made his clients to want more and more from him and his personal styling skills push him to search more about it.

Was it easy for you to get the first job as a fashion stylist?  How have you started your fashion journey? 

My first experience in fashion was as an intern in the Fendi Head Office in Rome. I spent 6 months working on: digitisation of the brand's historical archive, rearranging and making a selection of sketches by Karl Lagerfeld, organising exhibitions of furs in Japan, dealing with the restoration of ready-to-wear and accessories from the archive (only to mention a few). It was an incredible experience! I learned a lot from it and definitely made me understand how to deal with different situations in the world of work. My strength of will and curiosity have always guided me during my journey. After the internship I moved to London looking for a new adventure. I started working for Selfridges, famous luxury department store in Central London, as a client advisor first and then as a manager. After years on the shop floor dealing with clothes and styling clients, from all over the world, I suddenly understood that styling was my real passion. Mixing and matching different garments and brands I was able to express myself creating looks. So I decided to look for an internship in the editorial business and Wonderland was my start up. I was in charge of 4 different publications (Wonderland, Man About Town, Rollacoaster and Gaytimes). I started just shooting for online. I was constantly experimenting with styling and working with different artists and after few months I started shooting printed projects. From that moment on, I have never stopped: covers, editorials, worldwide campaigns (Swatch, Netflix, Fiorucci, Police just to name a few) and celebrities. 

How would you describe yourself as a stylist? What is your vision?

My personal style is sexy, rock n’ roll which influences my work too. On set I use lot of leather, transparent garments, ripped denim, animalier prints, lace and accessories. I love making models/ talents feel confident and sensual. I have created my own aesthetic through the idea of ​​beauty that I have developed over the experiences and the years. Once Sofia Loren said :'A woman’s dress should be like a barbed-wire fence: serving its purpose without obstructing the view’. Italia is love, sex and culture. Being Italian definitely has influenced my vision.

 Editorial or Celebrity styling? 

I like both! When I am on set with models i don’t have any filters, I can let my imagination runs wild. They follow my directions and wear whatever I want.

Completely different when I style celebrities, they have their own brand to consider. My job is to make them happy and confident spotlighting their personalities. It is definitely more challenging than models. But I am an Aries, I love challenges!

In your job you have to study about fashion and search for ideas all the time. How do you find inspiration for your projects?

My main sources of inspiration are: music, art, cinema and fashion. Living in this era where technology is fundamental, social media definitely influence and inspire my work too. Even my country has been influenced me through: the origins, history, culture, and therefore its cinema, its literature and the characters that were its icons. 

Have you found your muse? Any other models we should watch?

Personally I have more than one. I always discover new people who are a source of artistic inspiration. Right now I am obsessed with : Zendaya, Rosalia, Lizzo and Billie Ellish. They are all strong, stylish and talented women. In terms of model I am obsessed with : Aweng Chuol (who I shot for Collectible Dry), Fernando Lindez, Alton Maison, Mica Argañaraz.

You have worked with a lot of celebrities. Which collaboration was your favourite and why?

Few months ago I worked on one of the most memorable projects I've done so far. I styled the worldwide campaign for Police ( brand that produces sunglasses and accessories) with Lewis Hamilton. The formula one driver has been five times Formula One World Champion. He is often considered the best driver of his generation and widely regarded as one of the greatest drivers in the history of the sport. Fast cars are not just his interest, he is also really into fashion. Lewis has teamed up with the American fashion designer Tommy Hilfiger to create his own line called TommyXLewis and he did the same with Police designing his own sunglasses collection. 

Styling and spending time with him on set was really inspiring. Unfortunately I can’t tell you more… the campaign is coming out soon. Can’t wait to share it with all of you!

Even shooting one of the main character from Game of Thrones : Maisie Williams. She was so lovely on set and she looked stunning wearing all Moschino for the cover story. I decided to make her completely different than the character she played in the famous series. She was colourful, sexy and confident. Stay tuned more celebrities and amazing projects are coming out soon.

Do you follow the trends? Which look is your favourite for this autumn/winter? (menswear)

it all depends if i am into the trend. I always try to propose stories that represent me and my vision. 

My favourite trends for Autumn/ Winter are : grunge, dyed hair, cargo pants, military and oversize tailoring.

Favourite new designers?

Marinne Serre, Richard Quinn, Dilara Findikoglu Daniel Flewtcher, CMMN and John Lawrence Sullivan.

I’m also obsessed with Daniel Lee, the new creative director of Bottega Veneta. I really like his vision, his daring and courageous creativity. 

Favourite SS20 collections?

Prada, Louis Vuitton, Fendi and Ludovic De Saint Sernin.

What advice would you give to someone who wants to start a career in fashion?

First of all choose an area of fashion where you would like to work. Fashion jobs include everything from: photography, styling, merchandising, buying to designing. Try your hardest to get as much experience as possible : internships are always a good way to start.

Don’t give up. Life rewards those who work hard at it.

Any future plans or project you would like to share with us…

I am travelling a lot this year and I have a lot of stories and a couple of campaign dropping soon. Look out for them across my channels below:

Official Website

Instagram

Models.com

TASOS XIARCHO x REY Magazine

He is one of the most inspirational dancers and choreographers in Greece.

We fell in love with his eccentric style and attitude and we couldn’t wait until the moment of his collaboration with REY.

He works for some of the biggest names in Greece like Tamta and Eleni Foureira and he usually doesn’t stop on the choreography part as he loves creating the whole image of the projects he produces ( including styling and art direction).

Tasos Xiarcho is a true artist and we are sure he will always excel in Greece and Europe.

Enjoy our latest REY addiction:

Photography AURA

Styling & Direction Christos Christou

Assistant Stylist & Coordinator Yolanda Teskou

Grooming Matina Katsaropoulou

Videographer Vasilis Kolokythas

Check out the exclusive interview at

THE GREEK ISSUE

24 HOURS WITH TOMI LAPPI - EXCLUSIVE INTERVIEW

The Finnish dancer, choreographer and model Tomi Lappi speaks exclusively on REY Magazine about all you would love to know about him and his work.

Tomi travels mainly around Europe for his work but has been based in Spain since 2017, even though we know him from huge productions like the Kinky Boots, Lio Smeralda and from his work with the Finnish superstar Saara Alto.

During his latest visit in Cyprus, we had the opportunity to work and spend 24 hours with the super talented Tomi Lappi.

Describe to us your 24 hours of a normal day of work in Spain.

Honestly the concept of a 'normal day' has never really existed in my life. We're in mid September now and since late June I think I can count my days off with my fingers but in exchange going back to Madrid now I'm first looking at some well deserved down time. Some days are working ridiculous hours and some are easier but it's how the industry works and honestly I wouldn't have it any other way.

Where can we actually watch your show live?

I went straight from Kinky to Lio Costa Smeralda from where I travelled straight to Austria so for the moment the plan is to stay off stage for a short while, but I've said this before and something exciting has come up and well, there I go again. But for now the plans are open and in negotiation until late 2020.

Have you done the choreography of the show as well ?

Lately I've been doing choreography work and dancer work separately, and the plan is to first establish myself as a dancer in Spain and then maybe look into choreography if the opportunity presents itself - moving from a country to another sometimes resembles starting from scratch but I've felt very welcome and appreciated in Spain so far so I'm excited to finally settle down there without having to rush away for contracts abroad.

We know that you have performed as a lady "drag queen" during your previous show. How dificult was for you to get ready for the role and perfom on stage?

Well performing in a musical in general was a completely new challenge for me and came with a lot of challenges and opportunities for both personal and professional growth. The rehearsal period was a lot about making friends with my own demons and insecurities about what other people might think but in the end it's a conversation you have with yourself about your self-worth and how you perceive yourself as a person. I don't want to sound like a cliche because finding security and peace within yourself in the masculine, feminine, the external and the internal is a tough and draining process of work but it's definitely worth the while. I loved the process from the beginning to the end and being able to perform as an angel in a musical that great definitely changed me for the better in a way the other productions haven't so far.

Where do you find inspiration for your work?

I find it impossible to rationalise where my inspiration comes from because I honestly have no idea - I get a lot from music, the people that I work with and their energies and I'm, a very visual and estethic person. My best inspiration comes from somewhere outside of myself and most of the time I feel like I'm a instrument translating something from a collective source into something that people can feel and perceive. Whether you call that outside (or inside) source the universe, god, the collective subconscious or whatever has very little importance.

After posting our first editorial with you, we received tones of messages about you and your sexy body. REY readers definetely LOVE Tomi Lappi! How often do you work out? Are you following a specific program or diet?

I workout 5 days a week with the Jonathan Sevillano and all my results are practically thanks to him, he's a great guy and in my down months it's the perfect way to bring some structure and stability into my life. I don't follow specific diets, I try to eat intuitively and when I'm hungry and listen to my body as much as possible, if somethings doesn't feel right, it probably isn't right. I sustain a diet of food that feels good and is nourishing all year round and I feel following diets is a losing game because of the amount of contradictory information out there. When I'm touring and travelling I do my best to maintain but with a lot fo compassion to my body - If I can't get out of bed in the morning, you won't see me at the gym either.

Your favourite pop star:

I think that'd be a tie between Dua Lipa and Justin Bieber.

You have travelled to a lot of countries for work or holidays. Your favourite destination?

I rarely travel for holidays, my ideal vacation is not travelling anywhere and just staying in my routine and stability, I get enough travel for work. I don't have a favourite, wherever I get a glimpse of the local culture makes me feel like I've learned and experienced and grown more but I feel also like it's impossible to travel without expanding and growing a little.

Relationship status:

I'm single.

What's your opinion on the dating apps? Do you think people can still flirt in the club or go for a date without the use of them?

Of course. I think in whatever you do in life you should be extremely honest without yourself about the motivation behind your actions. If you use the apps to meet people and have a good time, good on you - but if you find yourself lost on the phone trying to fill a void within yourself or finding external validation your not going to get very far. The same goes for going out though, alcohol, drugs... everything. You can't really make mistakes in life, what works for you works for you and what works for you today might not work for you tomorrow.

Would you be in an open relationship?

Yes - I don't have a preset image of what a relationship should look or be like and I think it's healthy that the norms of a typical monogamous relationship are being shaken down a little. I think every relationship is unique and couldn't possible work by the same book of terms and agreements. Creating your own rules if it's based on love and respect and mutual and individual growth is where the magic is. I could see myself in one, but I could also see myself in a monogamous one, or something in between. Life always knows better.

Have you planned your next journey?

After settling down to Madrid I will go to Ibiza for a few days to see my friends and colleagues and then priority number 1 is going to Finland to see my family to spend some time with them. What happens after... We'll well see 🙂

DISCOVER THE FULL EDITORIAL STORY HERE

Steven McRae x REY Magazine

Our creative team met Australian dancer Steven McRae in the studio for one more conceptual and artistic editorial story.

Photographer Stavros Christodoulou

Styling & Direction Christos Christou

Grooming Olga Van Der Heyden

Steven McRae is the Principal dancer of The Royal Ballet London with several qualifications and awards including winner of the Prix de Lausanne and the Best Male Dancer at the Critics’ Circle Dance Awards.

Some of his roles include Romeo, The Prince (Swan Lake, Sleeping Beauty, Nutcracker, Giselle), Des Grieux (Manon), Prince Rudolf (Mayerling), Mad Hatter (Alice’s Adventures in Wonderland), Florizel (Winter’s Tale), Creature (Frankenstein) and more.

-Have you always wanted to become a dancer? How has ballet come into your life?

I grew up in a Motorsport family in Sydney, Australia surrounded by Nitro burning Dragsters. My sister inspired me to start dancing at the age of 7 and I was hooked immediately. I have wanted to dance ever since.

-Your routine must be really busy and full of training. How is a typical day of a principal dancer? 

A typical day as a professional ballet dancer can be up to 12hours long. Most days begin at 10.30am and if you have a Performance the curtain doesn’t come down until 10.30pm that night. The days are spent training & rehearsing the multiple productions that we perform consecutively at the Royal Opera House.

-You are a husband, and a father of two. How do you arrange your programme to find time for everyone? Does any of your children show interest on ballet?

Time management is crucial to finding a good work life balance. My family are everything to me so it can be challenging when I am not with them as much as I would like but I hope that I am inspiring them to pursue their own passions later on in life.

-Where can we find you at the moment? 

I perform all year long at the Royal Opera House in Covent Garden London. Our new season beginnings in September with an incredible selection of repertoire so check out the ROH website for details. ( http://www.roh.org.uk/ )

-I know that last year you have toured Australia with the Royal Ballet. How was to perform back home? Would you ever go back?

Performing back at home in Australia was a very special moment for me. My wife and children were also there surrounded by my family. I would love to take some of what I have learnt and experienced here in london back to Australia at some point.

-If you weren't a principal dancer... what would you do as a profession?  

I would probably be Drag Racing with the NHRA in America or designing something cool as an Architect.

-Who or what inspires you at your work?

I am inspired by passionate people. Inspiration can be found everywhere but that inspiration needs to find you working! Many Motorsport drivers have inspired me over the years but of course the dancing greats like Fred Astaire and Gene Kelly have been a constant force in my mind.

-And lastly, an advice to all these children and young professionals who have you as their role model.

My advice to young professionals is to be unique.

Don’t be afraid to be different and please don’t try and replicate what anyone else is doing. Celebrate who you are and what you enjoy doing.

 

DISCOVER THE EDITORIAL STORY HERE

Interview by Christos Christou

Steven McRae on Instagram